Galeria
Gallery
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Perspective of the exhibition Cabinets of Curiosities: An Interpretation, in the Science Museum of the University of Coimbra (photo: Celso Braga Rosa).
Perspective of the exhibition Cabinets of Curiosities: An Interpretation, in the Science Museum of the University of Coimbra (photo: Celso Braga Rosa).
Example of a caption, where we can identify the mediation in the object description. Science Museum of the University of Coimbra (photo: Celso Braga Rosa).
Exhibition Amazonias, El Futuro Ancestral, in the Centre of Contemporary Culture of Barcelona. An example of an attempt to "decolonize" captions, writting them also in the language of the people responsible for the production of the elements being exhibited (photo: Celso Braga Rosa).
Exhibition Amazonias, El Futuro Ancestral, in the Centre of Contemporary Culture of Barcelona. An example of an attempt to "decolonize" captions, writting them also in the language of the people responsible for the production of the elements being exhibited (photo: Celso Braga Rosa).
Exhibition Amazonias, El Futuro Ancestral, in the Centre of Contemporary Culture of Barcelona (photo: Celso Braga Rosa).
Exhibition Amazonias, El Futuro Ancestral, in the Centre of Contemporary Culture of Barcelona (photo: Celso Braga Rosa).
Exhibition Amazonias, El Futuro Ancestral, in the Centre of Contemporary Culture of Barcelona (photo: Celso Braga Rosa).
Exhibition Amazonias, El Futuro Ancestral, in the Centre of Contemporary Culture of Barcelona (photo: Celso Braga Rosa).
Exhibition Confrontar o Legado Colonial no Museu, being held in the Santos Rocha Municipal Museum, Figueira da Foz, Portugal. They attempt a decolonization approach via a glass where messages/questions/critiques mediate the observant/observed relation (photo: Celso Braga Rosa).
Exhibition Confrontar o Legado Colonial no Museu, being held in the Santos Rocha Municipal Museum, Figueira da Foz, Portugal. They attempt a decolonization approach via a glass where messages/questions/critiques mediate the observant/observed relation (photo: Celso Braga Rosa).
Exhibition Confrontar o Legado Colonial no Museu, being held in the Santos Rocha Municipal Museum, Figueira da Foz, Portugal. They attempt a decolonization approach via a glass where messages/questions/critiques mediate the observant/observed relation (photo: Celso Braga Rosa).
Exhibition Confrontar o Legado Colonial no Museu, being held in the Santos Rocha Municipal Museum, Figueira da Foz, Portugal. They attempt a decolonization approach via a glass where messages/questions/critiques mediate the observant/observed relation (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the temporary exhibition Deconstruct colonialism, decolonize the imaginary (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the temporary exhibition Deconstruct colonialism, decolonize the imaginary (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the temporary exhibition Deconstruct colonialism, decolonize the imaginary (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the temporary exhibition Deconstruct colonialism, decolonize the imaginary (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the permanent exhibition Matter of speach. Pot lids with proverbs (from Cabinda region, Angola) (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the permanent exhibition Matter of speach. Pot lids with proverbs (from Cabinda region, Angola) (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the permanent exhibition Matter of speach. Pot lids with proverbs (from Cabinda region, Angola) (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the permanent exhibition Matter of speach. Pot lids with proverbs (from Cabinda region, Angola) (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the permanent exhibition Playing but already for real (dolls from Southeast Angola) (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the permanent exhibition Playing but already for real (dolls from Southeast Angola) (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the permanent exhibition Playing but already for real (dolls from Southeast Angola) (photo: Celso Braga Rosa).
National Museum of Ethnology (Portugal). Perspective of the permanent exhibition Playing but already for real (dolls from Southeast Angola) (photo: Celso Braga Rosa).
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